Fun Time Nouveau JNL

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“One Hundred Alphabets for the Show Card Writer” was published in 1919 to afford sign artists the ability to create signs and show cards in then-contemporary lettering styles.


One such alphabet was big, bold and representative of the Art Nouveau stylings popular in the early part of the 20th Century. Most likely it was applied to store sales and public events that were casual and informal, for its letter forms are free of any constraints.


This design is now available as Fun Time Nouveau JNL in both regular and oblique versions.


Fun Time Nouveau JNL
Fun Time Nouveau JNL



Fun Time Nouveau JNL


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Eutaw Stencil JNL

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A hand lettered emulation of a Roman stencil type face on the cover of the folio for the Stenso School Set was the basis for Eutaw Stencil JNL, which is available in both regular and oblique versions.


The Stenso School Set (circa 1940-41) was comprised of three stencils – two lettering guides and a map of the [then] 48 United States.


Developed and patented by Baltimore school teacher Ruth Libauer Hormats, her stencils were the first to offer a system for accurate letter spacing and ease of use.


“Eutaw” (as part of the font’s name) is taken from Eutaw Place, the street where Ruth and her husband lived at the time of Stenso’s inception. To the Cherokee, the name means “Creek Indian”.


Eutaw Stencil JNL
Eutaw Stencil JNL



Eutaw Stencil JNL


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MO Bayannur

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Bayannur is a typeface published by Monoco Type Foundry inspired by Arabic Calligraphy in Chinese Tradition. This font has extensive Latin script support with many ligatures and stylistic sets, as well as Cyrillic and unique Arabic design with contextual alternates and many ligatures. The glyphs in this font also specifically support Uyghur script typing*. Abdurrahman Hanif, designer based in Jakarta, is currently studying Arabic Calligraphy in Chinese Tradition with Haji Noor Deen and trying to develop this font as his appreciation for this beautiful Art of Calligraphy.


MO Bayannur
MO Bayannur



MO Bayannur


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Rollcake

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Hi...Thank for your visit :)


Rollcake Modern Script Fonts are font designs that are made for various vector designs, printing such as digital wedding invitations, blogs, online shops, social media, while printing can be used in the field of product clothing, accessories, bags, pins, logos, business cards, watermarks and many others ...

Rollcake is equipped with complete alternates and very beautiful ligature, so it can make your product look elegant and attractive,

and also Multilingual support!!!


Happy design ...


Rollcake
Rollcake



Rollcake


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Creditor

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Creditor - Monoline Signature Font that has a distinctive character that is very thick and elegant to use


Creditor is a relaxed and flowing Handwritten Font. Incredibly versatile, this font fits a wide pool of designs, elevating them to the highest levels. Add this font to your favorite creative ideas and notice how it makes them come alive!


Features : • Character Set A-Z • Numerals & Punctuations (OpenType Standard) • Accents (Multilingual characters) • Ligature


Multilingual Support : Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Catalan, Chiga, Cornish, Danish, English, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Icelandic, Indonesian, Irish, Italian, Kabuverdianu, Kalenjin, Kinyarwanda, Low German, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Manx, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Portuguese, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Vunjo, Zulu


There it is! I really hope you enjoy it


Creditor
Creditor



Creditor


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Lina Soft

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Lina soft is an Arabic typeface from Lina-type family, with a warm and humane feeling. It's legible, soft, clear, flexible, simple, and contemporary. With a handful set of OpenType features and alternatives.

Lina type family consists of Lina soft, Lina sans, Lina round.


The design is inspired by the Kufic calligraphic style and influenced by the Naskh style.


Lina soft was highly crafted in order to perform well both on screen and in print. The large x-height and open counters make it function well even on small font sizes.


It has a wide range of use possibilities headlines, logotypes, branding, books, magazines, motion graphics, and use on the web and Tv.


Lina Soft consists of 7-weight versions from thin to bold.


Lina Soft
Lina Soft



Lina Soft


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